This production of the Clifford Odets potboiler The Country Girl leaves us with one burning question: what in the world made someone put on this revival?
Sarah Ruhl's latest, Dead Man's Cell Phone is a doozy. Inspired silliness transcends morbidity in this riff on a modern accoutrement.
Alan Palmer is spot on as he conjures up a legion of Fabulous Divas of Broadway.
Kevin Kline and Cyrano go hand in sword. His boundless energy propels the play forward. Never does this story of unrequited love flag when he bestrides the stage
Magic is more than pulling a rabbit out of a hat. Sam Eaton's The Quantum Eye needs to add showmanship to keep his show from vanishing.