This revival of the oft-played Twelfth Night is done with clarity and visual allure.
Uncomfortably spanning several eras, this threadbare revival ends up fit for none
Kindness is partly a heartfelt meditation on death and the family...but this being Adam Rapp, is it more than that?
This production of the Clifford Odets potboiler The Country Girl leaves us with one burning question: what in the world made someone put on this revival?
Sarah Ruhl's latest, Dead Man's Cell Phone is a doozy. Inspired silliness transcends morbidity in this riff on a modern accoutrement.