While meant to give voice to voiceless women of history, Yael Farber’s fails to leave any impression.

Bertolt Brecht’s tale of a Hitler-like mobster rings out in more ways than one.

Tony Kushner’s epic two-part play still packs a punch, even though the turn of the millennium has come and gone.

Parisians have their own way of doing things. Olivier Giraud helps decode their behavior through humor.