Set in a in a post-apocalyptic speakeasy, Anais Mitchell's folk opera is quirky, fiery and invigorating.

The latest presentation of Pinter’s overlooked works is remarkably relevant to today's Britain.

Not all of Pinter's early works need to be dug up, but these two are worth it.

London playhouses looked to American voices to fill the gaps in a year where good new writing was a little sparse.

Paul Ready is excellent in this spooky, shadowy production.