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SPRINGSTEEN ON BROADWAY

at Walter Kerr Theatre

THE BRUUUUCE-ICAL

While it may not be high on drama, an evening with the Boss is always special.

Reviewed by: DAVID COTE

TIME AND THE CONWAYS

at American Airlines Theatre

CRUELTY PLUS TIME

J.B. Priestley’s deceptively complex 1937 play takes place over three multi-faceted scenes.

Reviewed by: BRIAN SCOTT LIPTON

PRINCE OF BROADWAY

at Samuel J. Friedman Theatre

STAGE ROYALTY

This greatest-hits revue celebrates the work of Harold Prince in the least interesting way.

Reviewed by: DAVID COTE

MICHAEL MOORE: THE TERMS OF MY SURRENDER

at Belasco Theatre

POLITICAL ANIMAL

Michael Moore encourages the audience to do something – other than tweeting – to unseat our loathsome president.

Reviewed by: DAVID COTE

GREASE

at Théâtre Mogador (Paris)

THE ONE THAT I WANT

The worldwide musical phenomenon gets a throwback production in French.

Reviewed by: MERVYN ROTHSTEIN

YOUNG FRANKENSTEIN

at Garrick Theatre

NEW AND IMPROVED

Throwing the kitchen sink of jokes at you, Mel Brooks' musical comedy is worth revisiting.

Reviewed by: CLIVE HIRSCHHORN

FOLLIES

at the National (Olivier)

ONE FOR THE AGES

Dominic Cooke’s gorgeous revival ranks among the best productions of this musical to date.

Reviewed by: MATT WOLF

HEISENBERG

at Wyndham's Theatre

PRINCIPLE UNCERTAINTY

Simon Stephens’ engaging play emphasizes the role that chance plays in two people coming together.

Reviewed by: CLIVE HIRSCHHORN

OSLO

at the National (Lyttelton)

HOPE FOR THE MIDDLE EAST

JT Rogers' work effectively navigates the complexities of trying to find a diplomatic path to peace in the early 90s.

Reviewed by: SAM MARLOWE

OSLO

at the National (Lyttelton)

FAMILIAR TENSIONS

Bartlett Sher's production focuses on the personal relationships that make these secret talks interesting.

Reviewed by: CLIVE HIRSCHHORN

FOLLIES

at the National (Olivier)

BROKEN DREAMS

Though not the triumph of the original production, Sondheim's songs still soar in this revival.

Reviewed by: CLIVE HIRSCHHORN

THE MENTOR

at Vaudeville Theatre

PASSING JUDGMENT

Daniel Kehlmann has written a play about writing plays, and the plot leaves something to be desired.

Reviewed by: CLIVE HIRSCHHORN

TWELFTH NIGHT

at Shakespeare's Globe

MESSAGE OF LOVE

Emma Rice's production is a glittery and joyous crowd-pleaser.

Reviewed by: SAM MARLOWE

THE FERRYMAN

at Gielgud Theatre

IRISH TROUBLES

Jez Butterworth’s ambitious three-act boasts stellar direction and performances all the way through.

Reviewed by: CLIVE HIRSCHHORN

SCHEDULE UPDATES -

Yes, Prime Minister contracts its run, while A Chorus Line expands its own.

POWERHOUSE OF THEATRE - After 11 years as the Almeida Theatre's artistic director, Michael Attenborough is stepping down to focus on directing.

SONGS FROM THE HEART - Once the Tony-Award winning musical is set to hit London in January.