Ruben Santiago-Hudson needs no gimmicks or modern update to bring a hard-hitting Othello to Central Park.

This is a feisty, animated Iceman, with the magnificent Denzel Washington leading the cast.

The Band’s Visit dominated the musical categories at an exciting night at the Tony Awards.

Although this is a period piece, this play reverberates with the zesty camaraderie that gay men can openly enjoy today.

Alan Ayckbourn’s new comedy-drama sketches a portrait of a man across seven decades.

This production preserves the show's original wonders while playing wonderfully for a new generation of theatergoers.

This spirited revival delivers a relatively swift descent into hell.

Tom Stoppard’s 1917 tour-de-force can be a mess of historical and literary references, but it is handled deftly by this director and cast.

Unfortunately, the members of this ensemble seem as if they're acting in different plays.

As one would expect, a production of this musical largely lives and dies by the strength of its leading actress.

Marin Ireland and Nathan Darrow make this rare revival worth the trip.

Replete with lush beauty and stellar performances, this version stays true to its origins.

Mean Girls and SpongeBob SquarePants lead the Tony nominations for the 2017-18 Broadway season.

This mega-musical is an inventive, crowd-pleasing spectacle full of dazzling special effects.

There is a lot going on in this clever, well-written work by David Ives.

This jukebox musical isn't perfect, but it's plenty entertaining, and LaChanze is fabulous in the lead role.

Revivals of this caliber do not come often.

This production of Mark Medoff’s 1980 Tony winner feels more lightweight than it should, but through no fault of the cast.

Bernadette Peters and company find their voice in the second act of this classic musical.

Rock hits from the 60s, 70s and 80s get an orchestral twist in this jukebox musical.

Bernadette Peters works her magic in the revival of this joy-stuffed classic.

The Irish Repertory Theatre showcases three one-acts by major turn-of-the-century Irish playwrights.

At 81, Glenda Jackson still performs with breathtaking bite and vitality.

This well-written, well-acted play will make you laugh and make you think.

Tony Kushner’s two-part mega-drama is high art, but with plenty of sex, laughs and thrills throughout.

There's plenty of stage magic to behold, but the Broadway version of Frozen fails to exceed expectations.

Playwright Joshua Harmon proves once again to be funny, daring and unpredictable.

David Haig has written an excellent play about the important role that weather played in the D-Day invasion.

This misguided production does a disservice to Strindberg’s timeless Swedish classic.

Despite some fine performances, there's precious little by way of poetic heft or depth in this unusual production.

Ian Rickson's production cements this as one of the great English-speaking plays of the last 40 years.

Matthew Lopez's two-part, seven-hour marathon spans three generations of gay relationships.

This lavish, fast-paced extravaganza at Paris’ legendary Moulin Rouge cabaret is sure to keep anyone and everyone entertained.

Graham James’ real-life story about cheating on a quiz show plays on our baser instincts and challenges our preconceptions about justice.

David Hare’s play about the birth of the Glyndebourne Festival is likely to appeal to a very small audience.

Bizarre choices in staging and design take away from compelling performances by Rory Kinnear and Anne-Marie Duff.

A lot of things about politics are the same today as they were in 1960.

Patsy Ferran does an excellent job in Tennessee Williams’ problematic play.

Bryony Lavery’s 1998 drama is thoughtful, compassionate and deeply uncomfortable.

Dennis Kelly’s play looks unblinkingly at violence that is so common we have become desensitised to it. 

This production pushes the envelope while pushing audience members out of their comfort zones.

The hit American musical finds resonance across the pond.