This head-scratcher of a rock spectacle quickly wears out its welcome.

Jonathan Cake and Kate Burton shine at the center of this stirring production.

Daniel Sullivan brings fresh thinking to this production while leaving the play's cynicism and thirst for power intact.

Six short plays offer up a variety of styles for the 13th edition of Summer Shorts.

The Broadway icon Harold “Hal” Prince has passed away, leaving a legacy behind.

Three generations of Irish women tell their stories through alternating monologues in this engaging piece.

Director Alex Timbers has given the 2001 film a thumping theatrical heart.

Jacqueline Novak expertly delivers personal, sexually explicit stories in her one-woman show.

Two 40-year-old playlets are linked by an overlapping character and a made-up lingo. 

A handful of mini-plays honors Vaclav Havel.

Rita Rudner's talents are done a disservice by the show’s ramshackle construction.

Chris Urch's gripping new drama is inspired by real events in Uganda in which gays were outed in a local newspaper.

You've seen this story before, but the new film version looks and sounds tremendous.

Jamie Lloyd's radical revival makes this musical feel revolutionary all over again.

Tennessee Williams’ last successful play was one of his most personal.

Ned Bennett’s gets back to the visceral impact this play was always meant to deliver.

Despite a cast giving its all, there are elements of Micheal Frayn's farce that are starting to show their age.

Andrew Scott's charisma burns bright in Noel Coward’s semi-farcical 1939 comedy.

David Mamet’s latest play attempts to satirise Harvey Weinstein, but comes off flat.

Jack Thorne's play spans two decades in the life of a family, but makes little impression along the way.

With this revival, Michael Longhurst is off to an explosive start as the Donmar's new artistic director.

Despite having John Malkovich in the starring role, David Mamet's Harvey Weinstein-inspired play is a total misfire.

The flawed hero burns with anger as the color of his skin acts as a barrier at every turn.

A cross-casting approach offers a thrilling alternative way to tell our national history, but what's missing is a link to today's Britain.

Githa Sowerby's 1912 play features female characters who show a remarkable amount of strength.

Josie Rourke has reworked this musical for the modern age in the most thrilling fashion.