Bedlam, in a move fitting of its name, combines these two plays into a side-by-side experimental mashup.

Theresa Rebeck’s latest play takes on an interesting premise but fails to stick the landing.

This innovative production finds all kinds of ways to breathe new life into this Golden Age musical.

Richard Nelson has solved the Chekhovian riddle of getting the right balance between laughter and the heavy ache of the human heart.

Characters and songs collide in Conor McPherson's ode to Dylan and the Depression.

Richard Bean’s new play provides a kind of tear-inducing laughter that is in short supply on Broadway.

In Theresa Rebeck’s clever and entertaining comedy, actress Sarah Bernhardt is determined to play Hamlet.

Craig Lucas' latest play takes on a cluttered mess of themes – with two sets of actors to make it extra complicated.

Felder's one-man show portrays Berlin's restless intensity and fervent patriotism in the style of a jukebox musical.

Sharr White's political drama never quite catches fire, but Edie Falco is strong in the lead role.

With her life's work, Mazzie's gift to theatergoers and colleagues alike was happiness in its purest state.

Bernard Shaw's 1919 dramedy remains a multi-dimensional portrait of human nature.

A short run of this revelatory 1983 musical marks a homecoming of a show that has entered theater history.

Lillian Hellman's play gets off to a slow start, but it really comes alive in the second act.

There's not a shred of originality in this repurposing of the 1990 film.

While the cast album of Carousel is as disappointing as the revival, My Fair Lady is one of the albums of the last 60 years.

The schmaltz goes down more easily in Joel Grey's deft production.

Quality music, acting and stage production help sell this nostalgia vehicle.

Good intentions and terrific songs don’t add up to a good rock musical.

This perplexing play's meaning will vary from viewer to viewer depending on one's experiences of life, death and everything in between.

David Hare's play asks a lot of questions about the Labour Party without providing substantive answers or connecting the story to today.

Director Simon Godwin handles the sprawling expanse of Shakespeare’s challenging play with cinematic effect.

Bonnie Langford shines in the best musical in London right now.

Despite the school shootings that have happened since the film, the musical continues to land in multiple cities.

Despite the gratuitous self-indulgence and unnecessary digressions, Andrew Lloyd Webber's memoir offers some valuable insight into his musicals.

Martin McDonagh’s 1994 blood-fest blends violence and comedy into a unique cocktail.

A decade later, Ian McKellen returns to the titular role, as compelling as ever.

Adrienne Warren inhabits the power, pain and sensuality of Tina Turner in captivating fashion.

Nina Raine's timely drama about sexual politics can be hard to watch, but it's also important, fascinating and viciously funny.

Alan Bennett delivers some funny and touching moments in this story about patients in a geriatric ward.

Three hours fly by watching this stunningly acted, impeccably directed and visually extraordinary production.

David Haig has written an excellent play about the important role that weather played in the D-Day invasion.