A small Irish village jumps to attention when a Hollywood production comes to town.

Ironically, a play about cutting a script down runs unnecessarily long.

Having all the ingredients does not necessarily make a cake.

Lorraine Hansberry’s 1959 play still rings out with the same heart and humanity today.

This look at the racial history behind Othello is a bit stilted and heavy-handed.

Denzel Washington puts in a smashing lead performance and is surrounded by an excellent supporting cast.

Audience members become part of an exercise in digital privacy invasion.

Mike Bartlett plays with the relationship between politics and monarchy in this contemporary what-if.

The protagonist and the play itself are sorely lacking in redeeming qualities.

Moira Buffini’s play focuses entirely on the edgy relationship between Queen Elizabeth II and Margaret Thatcher.

The narrative in this 1987 state-of-the-nation play lacks the structure of some of Alan Ayckbourn’s earlier plays.

This London production has the film and Broadway versions to contend with, and still comes out singing.

The Wanamaker Theatre has chosen authenticity over comfort in its design, and is of to a difficult start.

A smart American drama, driven by the political and the personal, hits the London stage.

Ray Cooney revives his madcap romp with wild, silly success.

For this once-shocking period piece to have a strong effect, it would need different treatment than given here.