While the cast album of Carousel is as disappointing as the revival, My Fair Lady is one of the albums of the last 60 years.

This cliché-filled musical is derivative of all that came before it, without the tunes to back it up.

The schmaltz goes down more easily in Joel Grey's deft production.

Quality music, acting and stage production help sell this nostalgia vehicle.

This musical is so full of cheesiness and clichés that anyone who buys a ticket will come to regret it.

Renée Taylor’s tells tales of a life in show business in her one-woman show.

As the Best Musical continues to soar, Sasson Gabay brings a different take to the role of Tewfiq.

John Strand's play explores the character and judicial philosophy of the late Supreme Court Justice Antonin Scalia.

Kwame Kwei-Armah and Shaina Taub's musicalized adaptation is a celebration that brings all five boroughs of New York together.

Good intentions and terrific songs don’t add up to a good rock musical.

Young Jean Lee's well-executed new work is both political satire and a philosophical study of human limitations.

With cameras amplifying grotesque images onto a large screen, The Damned is as unsettling onstage as it was on film.

Anika Noni Rose leads a pitch-perfect cast in John Doyle's scaled-down production.

A decade later, Ian McKellen returns to the titular role, as compelling as ever.

Adrienne Warren inhabits the power, pain and sensuality of Tina Turner in captivating fashion.

With André Holland in the title role, here at last is an Othello who is much more a thinker than a warrior.

Nina Raine's timely drama about sexual politics can be hard to watch, but it's also important, fascinating and viciously funny.

Despite a great performance by Lia Williams, this production feels dated and trite.

Although Ionescu’s 1962 play parallels today's turmoil in some ways, this new version fails to resonate.

It helps to know your Broadway history before taking on Gerard Alessandrini’s hilarious spoof of Hamilton.

Something must have gotten lost in translation in this laborious adaption of Ionesco's play.

This isn't the most detailed reading of Shakespeare's tricky play, but it is certainly an enjoyable one.

Alan Bennett delivers some funny and touching moments in this story about patients in a geriatric ward.

Three hours fly by watching this stunningly acted, impeccably directed and visually extraordinary production.

Ian Rickson’s finely textured production of this elegant, poetic play achieves on levels both epic and intimate.

David Haig has written an excellent play about the important role that weather played in the D-Day invasion.

This misguided production does a disservice to Strindberg’s timeless Swedish classic.

Despite some fine performances, there's precious little by way of poetic heft or depth in this unusual production.

Ian Rickson's production cements this as one of the great English-speaking plays of the last 40 years.